Dreams from a Counter Pop Evolutionary Artist

Posted by isis on 02 Apr 2008 | Tagged as: Anti Pop Art, Figurative |

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Photograph for oil painting called “Wondering” 2008

Today I dream of a Counter Pop Evolution, where Artists concern themselves with their origins instead of mass productions. I want art to slow down to a snail’s pace so that I can really really think….

Slow Art
Art that is made with loving hands….Like you used to do when you were a kid…working with your father on a craft project like building a car…or with your mother like building a cake…
You know…art that takes time to make.

Now I have time to appreciate!

They are two different places in which I exist so differently:
One is public, the other is private.
One is passionate, the other is pensive
One is objective, the other is subjective
One is secular, the other is spiritual.
But one thing that they both share in, is that they will always be separate but united.

Like Adam and Eve, I co exist with their legacy.

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“Regalo w/Still Life” oil on wood panel 75% finished

EVE, THE FIRST LIBERATOR OF MANKIND

For had it not been for the Apple that Eve gave to Adam, we all would surely have remained infants of HeShe (God), hadn’t we?
God punished Eve, as the “fall guy”, with childbirth pain, monthly PMS and worry. Eve sacrificed her own freedom so that Adam could enjoy his. He fought against this injustice by God and showed his gratitude to Eve by becoming the expert in science and psychology. Continue Reading »

A statement From Laura Molina on the death of Dave Stevens, AKA “Naked Dave”

Posted by Laura Molina on 13 Mar 2008 | Tagged as: Paintings, Digital Art, websites, Figurative, Death, Muse, Dave Stevens |

A statement from my internet art presentation, “Naked Dave”.
Dave Stevens died March 10, 2008.“Amor Alien”

My Naked Dave series has been a way for me to work out the anger, grief, and loss that this relationship brought me. I was only 18 when I met Dave. I was not too much older than that when he fathered my child in 1978. The cruel and heartless way he dealt with me during my pregnancy was inexcusable. When I lost the baby through miscarriage, the physical and emotional pain I went through was unbearable. I have been dealing with the effects this loss has had on me all my adult life. I never bore another child. The whole situation made me despondent and depressed for many years. Dave helped me through none of this. Just knowing this person almost killed me.

In 1991, just as I was coming to a place of recovery, Dave began seeking me out again. He held out the possibility to me that we could reconcile and “carry on in a more positive light”, as he put it. Then he cold-heartedly “set me up” for an emotional ambush and cruelly withdrew once the damage was once again done. I felt betrayed and abandoned for the second time and I had to do something to save myself. It wasn’t what happened in 1978 that inspired the series. We were young and stupid and that can be forgiven. No, it was the failed “reconciliation” of 1991 that lit the fire. I did what I had to do to save myself. I couldn’t walk the earth with murderous rage in my bosom and let it destroy everything around me. Naked Dave originally began as a way I could cathartically extract the emotional toxins this man brought into my life. It ended by becoming an entire genre of my life’s work, one that has brought me much praise and recognition.

For many years I assumed that Dave was merely annoyed by my paintings of him but I was wrong. In recent years I found out that he was deeply affected by what I had done. The only friend we still have in common beseeched me in an email to forgive him, but I found it impossible for me to do so without a face to face reconciliation. I offered Dave that chance in 2005, but he turned me away. Now that Dave is dead, a face to face forgiveness and reconciliation between us will never happen. I will have to live with this reality and move on when I am able to do so.

The issues Dave brought to my life and my ability to process them through my art inspires me. When that changes, my art will change. To aspire to make great art one must know truth, beauty and love. My muse, as unwilling a subject as he may have been, was a muse nonetheless. The English Pre-Raphaelite painter Dante Gabriel Rossetti had a muse, Elizabeth Siddal. A recent book about her life has the following quotation from John Ruskin which took my breath away with it’s truth: “And yet Elizabeth had been loved tenderly, loved by the man and by the artist, which is to be loved twice, because painters have a tenderness for the creature that suddenly realizes for them, in an exquisite and living form, a long cherished dream, and lavish upon her a gaze that is more thoughtful, more intuitive and, to put it plainly, more charged with love than is possible for other men.”

Below is a study for the last painting of the Naked Dave series. I have known since February of 2005 that Dave was ill with cancer. I was sworn to secrecy and struggled with thoughts of discontinuing the series altogether for this reason but the heart feels what the conscious mind can’t bear to know. The monarchs are in the painting because the Aztecs believed they carried the souls of the dead. I started it July 2005. I will continue to paint Dave until I am done and I can bring peace to myself.



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Forgive me Schulz

Posted by rio on 29 Jan 2008 | Tagged as: Uncategorized, Digital Art, Popular Culture |

Peanuts

The roots of this strip began a couple of years ago. It was around the time of San Francisco’s annual Gay Pride events and Mariela and I were looking through the SFWeekly for a schedule of who would be performing on Pride’s Latino stage. While looking through the Weekly we came across an ad for sex toys in the shape of different religious icons. I laughed but Mariela freaked out and couldn’t even bring herself to look at the ad again. Even though she didn’t exactly consider herself Catholic her opinion was clear: You don’t sexualize your personal icons

As Chuck D once rapped “My wanderings got my ass wondering” and as a Chicano I’ve wondered about our iconography and the taboo of eroticizing it. In terms of Chicanoness, I can imagine that it would be very bad to have a fantasy about bustin’ out Alberto Gonzalez; so would the opposite be good? Or maybe I just have the hots for Dolores Huerta?

As far as the whole Peanuts thing goes, I’ve always identified with Charlie Brown. His philosophical ponderings and neurosis always seemed to click with me. With this strip, Charlie Brown is a stand-in for my parents both of whom have taken risks with their artwork and both of whom have told me in some form or another that I’m goin’ to Hell for doing this comic strip. Wimps!

The Fantasies From The Indigenous I

Posted by isis on 26 Jan 2008 | Tagged as: Anti Pop Art, Figurative |

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“Believing “pastel on paper 45″x55″ 2008

What are our fantasies as Indigenous/Multicultural/Mulatto/Mestizo Peoples/Artists?

The history I received in public schools, the Hollywood sitcoms, tv dramas, and movies that I watched, the museums that visited, mostly iconicized and exotified Native Peoples….I enjoyed this portrayal because it mythologized us. They made us look beautiful, spiritual, strong, but always ultimately defeated, which I resented deeply. To continue seeing one’s culture as defeated, is destructive to one’s consciousness and self esteem. This was my Indigenous Reality.

Looking back at my previous art endeavors in art school, I drew and painted about my Indigenous Reality: oppressive government laws concerning women and native peoples, reproductive rights, and failed relationships with boyfriends. My Indigenous Reality was hopeless and depressing. I continued working this way for over 10 years. I think part of why I painted such things was because I couldn’t be motivated to paint unless I feel. And so the topics that I chose to paint about in those days, deeply effected me. It wouldn’t be until the late 90’s that I began to paint from my Indigenous Fantasies.
It started with the LMA Series (Little Miss Attitude Series).

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Wonderwoman LMA 8.5″x11″ graphite on paper study

LMA Series was an exploration of behaviors of empowerment. The cartoon has always been a creature typical of emotion and so are women. In our chatty conversations with one another, we expose so much about ourselves, go in depth about relationships with others, go into minute details about sex, love….When we aren’t conversing, our quiet moments are psychic, still attentive to each other’s emotions, knowing what the other feels, because we collectively know what makes a woman happy and what makes her bleed…So intoxicating is this awareness, that my research was already done. All I had to do was paint. And so I did 16 paintings, 8 studies, 8 paintings trying to understand what attitude was as a factor of empowerment in us ladies…This was the beginning of Indigenous Fantasies because I was painting what what my ideal of a woman was.

Continue Reading »

Our Lady of Hustlers: Priscilla Ceballos

Posted by rio on 23 Jan 2008 | Tagged as: Digital Art, Urban Art |

Our Lady of Hustlers

Most of these hip-hop fools out there make claims about being hustlers when in reality they’re just taking a fashionable pose. Priscilla Ceballos is the real deal Holyfield. If you don’t know who she is, Priscilla Ceballos cold got ill so her daughter could score some free Hannah Montana concert tickets. She entered her daughter into an essay contest to win a free pair of tickets to see Hannah Montana and won by writing that her father was a soldier who had been killed by a roadside bomb in Iraq. The trouble was that none of it was true, her father was alive and well-living in the next town over. When Priscilla was finally busted she and her daughter lost the tickets and she became the most hated woman in the western world. Homegirl defended herself by saying that no one ever specified that the essay for the contest had to be true.

Priscilla Ceballos may be a dumbass but her ass ain’t dumb, of course she knew what was going on all along. What makes her a true hustler is that she will stick to her story of “not knowing the essay had to be true” until the bitter end. Some people will no doubt call her delusional but in the hood that’s called some fuckin’ hustling. To the rest of the world she may be a villain but I’m canonizing her as a saint of the ghetto: Our Lady of Hustlers.

Since being busted for the fake essay Priscilla Ceballos has made numerous media appearances to clear her name. With these interviews she’s done a lot more harm than good and exposed herself to even more ridicule. Many blogs outside of Latino culture are both confounded and fascinated by Priscilla Ceballos’ bad chola style. “Doesn’t she know how fucked up those sharpie eyebrows look?” they all seem to wonder. The motivations of chola fashion still elude the mainstream but with her appearance on the Today Show she has become America’s most recognizable chola.

I don’t really take issue with people challenging the basic humanity of Priscilla Ceballos or at least her qualifications as a mother. What I have found deeply disturbing is the amount of racist bile that has been thrown her way. One look at her Bebo Profile and you can get a good sampling of some of the racist rants that she’s no doubt confronting on a daily basis. Most of them shits call her out for being Mexican, even though her profile picture is clearly all about her being Salvadoran (Holla at my Central Americans). The truth is, whenever one of us fucks up publicly it becomes baggage for all of us not just for Salvadorans, Mexicans, or Chicanos (except for maybe Brazilians…Tudo Bem!). Despite my anger at Priscilla Ceballos I am even more offended at the racist responses to her choices and that is why I chose to include a tear forming on her eye as well as text from the aforementioned Bebo profile behind her.

Orale!

Hunting the Now / Cazando el Momento

Posted by Mabel on 30 Nov 2007 | Tagged as: Public Art, Urban Art, Art Socializing, Games |

This month…

Hunting the Now/ Cazando El Momento by The Counter Narrative Society
Begin at the corner of 14th and Valencia Streets

For this SAT. Dec. 1 - 11am-5pm
To download a map locating this project from GROUNDED? go to http://soex.org/Event/152.html

Game will be available at various venues and online after Dec. 1 at: TheCounterNarrativeSociety.org


Hunting the Now is a bilingual and peculiar treasure hunt that intends to divulge unique but ordinary features of the present social-urban development of Mission and Valencia Streets between 14th and 24th Streets. Brochures containing map, instructions and clues to the unique destinations we have gathered will be available at Southern Exposure.

Cazando el Momento es un juego bilingüe artístico de encontrar tesoros que divulga cualidades únicas pero cotidianas del presente desarrollo social-urbano de las calles Mission y Valencia entre la calle 14 y 24. Afiches con mapa, instrucciones y pistas de estas destinaciones inusuales estarán disponibles en el local de Southern Exposure.

Hunting the Now is part of Southern Exposure and Intersection for the Arts’ GROUNDED? 1st Annual Juried Public Art/Urban Interventions Day. For more information about GROUNDED? including the 16th Annual Juried Exhibition, 5-week Performance Series, and 7th Annual Film/Video Screening please visit soex.org or theintersection.org.

mero cocinero goes to the minnesota state fair.

Posted by karimi on 27 Nov 2007 | Tagged as: Uncategorized, Performance, Popular Culture |

mero cocinero goes to the minnesota state fair.
my alter ego, mero cocinero karimi, went to the minnesota state fair this past august. i don’t know if you Mero or the State Fair, but Mero was created at the Galeria de La Raza in 1997 when I built my first installation piece for a Regeneration project. He is a progressive idealist chef who wants to start the “revolution one kitchen at a time”. He goes around the country trying to raise consciousness: food, cultural, and political. Anyways, he (I) went to the Minnesota State Fair, home of everything on a stick. In response to this stick mentality, he walked around with every presidential candidate on a stick, and asked people which candidate they want on a stick. It was a riot. People would give him (me) their food to try, and it was hard staying in character for 4 hours. Chihuahua!

Go here for the photo

Love to get folks feedback.

The show itself is different than the other live street performance. I can write about that, too…later.

I am doing the show in houston in December and in the Bay May 08, if you want to eat free food.

‘El Maguey’

Posted by SUNofMAN on 26 Nov 2007 | Tagged as: Paintings |

‘El Maguey’

<>Acrylic on Canvas, 54″x54″, 2007, SOLD

by Rene Trujillo

‘Telephoned@Lightspeed’

Posted by SUNofMAN on 26 Nov 2007 | Tagged as: Paintings |

‘Telephoned@Lightspeed’

Acrylic on Canvas, 54″x60″,  2007

by Rene Trujillo

Super Jet Reunion (on Lilac St.)

Posted by jocelyn superstar on 23 Nov 2007 | Tagged as: Graffiti, Public Art, Art Socializing, Mural Projects |

The new thing is that there’s a mural project finally happening on my block in da mission… finally after all these years. i first got the idea in Rigo’s Public Mural class when i was his TA in 1998 at the San Francisco Art Institute. I tried to get it off the ground several years ago as a female graffiti mural project with crisaida and leslie, but we couldn’t get permission from anyone and it turned into a big headache. But now, finally, my neighbor’s Randolph and Lisa have begun to get permission from many of the building owners and the LILAC MURAL PROJECT is off the ground. it’s not what i originally envisioned, but it still has good energy and is full of plenty of great graffiti pieces (vs traditional brush painted murals). i’ll blog later with pics of all the pieces, but i wanted to share this one to start. this pic was taken a couple of weeks ago. it’s me and Jet (from Clarion Alley Mural Project) reunited. Jet was my student in Rigo’s class at SFAI. Jet’s doing something on Lilac, but not for a bit cuz he was in the middle of wedding plans. Anyhow, i just thought it was a great pic. Jet’s really cool and Randolph captured it in the photo. thanks Randolph for taking this flick!
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